The Gutter Art Critic

Search This Blog

Posts

Showing posts with the label Tom Pazderka

Show all

No results found

About Me

Tom Pazderka: I'm an artist and a writer. My interests are far and wide, but what gets my attention is anything weird and uncanny, dark and eerie. What you'll find here is my writing on random subjects ranging from art and culture, to conspiracies and philosophy, basically anything that makes the human experience, well, human. Follow my work on Instagram @tompazderka and check out my web page at www.tompazderka.com I also write for an art zine called LUM. Check them out, too.

Visit profile

Labels

1968
1989
2012
2016
2017
2018
2019
Absolute Wilson Robert Avant Garde Theater
Academia Mainstream Outsider Art
Adam Curtis

advice
Alex Jones
Alexandria Occasio Cortez
algorithm
America
analysis
Angela Nagle
Anish Kapoor
anthropology
Anxiety
AOC
apocalypse
Apple
Arab Spring
art
Art City In Name Only Asheville Design Gallery Galleries
Art Criticism
Art definition
art in the end times
art on the defensive defending painting
art schools
art show
art through higher faculty
art workers
artist
Asheville Contemporary Art
Asheville elections 2013
authenticity
ban
Banksy Damien Hirst Jeff Koons Thomas Kinkade graffiti art
banning
Bernie Sanders
bureaucracy
business
Buzludzha
capitalism
capitalist realism
Civil Rights
commentary
commodification
commodification of art
communism
Connie Bostic Gun Show Flood Gallery Asheville Phile Mechanic Studios Gun Control
conservative
conspiracy
Contemporary Craft
Contemporary Fine Art
corporate news
corporations
creation
creativity
critical theory
criticism
critique
crypto
cryptocurrency
cultural critique
culture
current events
cyberspace
Czech Republic
Damien Hirst
David Graeber
Declaration of Independence
defining art
Democratic debate
deplatforming
dictatorship
diorama
DNC
Donald Trump
E. F Schumacher
Eastern Europe
Election
election 2016
elections
Elizabeth Warren
enjoyment
evolution progression between kingdoms
exhibition
Facebook
facts
Fake News
fascism
fetishism
Fine Art vs Craft
George Floyd
George Zimmerman Painting George W. Bush John Wayne Gacy Jeff Koons Kitsch
Gerald Cotton
Hammer Museum
Hannah Arendt
happiness
Hillary Clinton
history
history repeats itself
History Thomas Cole Neil Howe Fourth Turning
Hollywood Cinema
hypernomalization
ideology
immigration
inauguration
Instagram
institutional definition of art
internet
Jacques-Luis David
Jeff Gibbs
Jeff Koons
Joe Biden
John Barlow
John Carpenter
Joyce Vincent
Kanye West Bill Hicks New America
labor
late capitalism
liberal
Los Angeles
made in LA
Mannoni
Mark Fisher
markets
Matt Taibbi
media
mfa
Michael Brooks
Michael Moore
Mikhail Bulgakov
military
modernism
monetization
monetized art
multiculturalism
networks
new aristocracy
New York Times
nostalgia
Occupy
ontology
Operation Gladio
parliament
Peter Fleming
philosophy
Pia Farrenkopf
Pirate Party
Planet of the Humans
political correctness
politics
populism
post-fact
post-truth
president
Prince of Darkness
Problem of American Art Painters Painting
professional artist
professionalism
Project for the New American Century
protests
QuadrigaCX
review
revolution
robber barons
Robert Hughes Mona Lisa Curse
role of art
Ruby Ridge
Rudy Dutschke
Russian Revolution
science
self-commodification
separation of church and state
shock art controversial art
sincerity
Slavoj Zizek
social commentary
social darwinism art artists Reaganomics materialism individualism ancient Egypt
social-media
speech impediment
Spotify
Substack
Superheroes
Ten Fifteen
The Alex Jones Effect
The Death of Marat
The King's Speech
The Thing
theory
They Live
Thom Hartmann
Tom Pazderka
Trumpism
Tulsi Gabbard
tunneling
undead
Vaclav Havel
Vampire Castle
Velvet Revolution
Violence
William Randolph Hearst
window
work
yellow journalism
YouTube
zombies

Show more Show less

Report Abuse

Powered by Blogger