The Gutter Art Critic

This story was first published on Ten Fifteen, a semi-regular blog/newsletter about art, philosophy and cultural theory. Sign up here .    Fail, Fail Again, Fail Better, Fail a Lot, Fail Up On the morning of November 17, 1989, Ludvik Zifcak got up and made himself breakfast and tea. He did not rush, because the work he was about to do would not have to be done until evening. He turned on his Soviet-era color television, with its two channels, blurry images and sepia undertones, dressed while he sipped tea and read the minutes of a meeting he attended the day before. He was a special undercover agent of the Czechoslovak secret police (StB) and that evening he was to lead a group of students protesting against the communist government into a trap. Just weeks prior the East Germans have breached the Berlin Wall and toppled its government. In just a couple of weeks, the standing Czechoslovak government will transfer its power to the new coalition of artists, actors, economists

The rise of the Pirate party in recent Czech elections shows that the left may in fact be invigorated enough to go beyond the Occupy movement and its ultimate failure. Gaining 22 seats in the Czech parliament, the Pirates are now the third largest party in Czech Republic. The only irony here is that the Pirates consider themselves a center party.   This digital ‘left’ acts as a counter point to the alt-right described by Angela Nagle in her book on the subject called ‘Kill All Normies.’   As if there is no end to all the irony in the world, in today’s upside-down world, it is the ‘right’ that is most plugged into the digital world and the internet, somehow able to coopt every tactic that the old ‘new left’ used in its political stance on very diverse issues, from feminism and gay rights, to environmentalism and animal rights, and literally turning them inside-out, into stances like men’s rights, which were initially tongue-in-cheek, but developed into a strangely potent politica